The album debuted at number one on the US Billboard 200, selling 429,000 copies in its first week unlike Ludacris' previous albums, the album achieved success outside the United States, charting in several European territories including Germany and the United Kingdom.Īudacious on his rhymes and indulgent with his appetites, Ludacris may flaunt the cartoonish side of his personality, but he isn't just another unreconstructed Southern rapper. The Southern hip hop album, Chicken-n-Beer is musically similar to Ludacris' previous work, with his use of a fast, highly versatile flow. Or FLAC 2.0 (carefully converted & encoded to tracks) 24bit/96 kHz | Full Scans included | 1,42 GBįeatures Stereo and Multichannel Surround SoundĬhicken-n-Beer is the fourth studio album by American rapper Ludacris. Or DSD64 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Full Scans included | 1,68 GB

(See what I did there? Clever, right?) I also realize that I've gone through this entire paragraph without mentioning that motherfucking Ron Browz, a boil on the asshole of hip hop, produced this song.PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 60:40 minutes | Scans included | 3,93 GB Since Pepsi tastes like battery acid anyway (except for the Throwback version, which should just be added to their standard repertoire anyway the addition of high fructose corn syrup has truly fucked up Pepsi's flavor for the worst), I'm not really shocked: everybody knows that rap artists love Coke anyway. There are a couple of interesting points to make, though: he claims his fans are racially diverse and embraces them (everyone except for Asians, who apparently don't exist within Luda's universe, or at least none of them listen to any of his records), and our host also throws shots toward both Bill O'Reilly, who infamously got Luda dropped from a Pepsi campaign for being a black rapper (there was probably a little more to it than that, but tell me that the guy isn't a bit racist), and Pepsi themselves, for acting like pussies and actually cowing to O'Reilly's demands. There isn't much imagination to be found on here, but this was still a hit on the radio regardless. For the first true song on Chicken-N-Beer, Ludacris goes back to the “Move Bitch” well, molding several verses around a song title that doubles as a stadium chant-slash-something you yell out loud at other drivers.

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